AENEA RECORDS / PRESS & LICENSING

Press, licensing and selected rights enquiries.

A direct route for journalists, producers, music supervisors, broadcasters and professional partners seeking approved materials, factual information or permission to use Aenea Records releases.

01 / Scope

What this page is for

Aenea Records is a selective independent label and imprint within Aenea Studios. This page is intended for professional press, editorial, licensing, sync, broadcast and rights enquiries.

It is not a public catalogue of automatically licensable music. Availability, ownership, approvals and commercial terms are assessed individually for each requested use.

02 / Press

Press and editorial requests

Interviews and features

Interview requests, editorial profiles, release coverage, radio, podcast and broadcast appearances.

Approved materials

Current biographies, press photographs, artwork, release information, credits and selected promotional assets.

Factual verification

Confirmation of names, credits, release dates, project descriptions and other publication-sensitive details.

Deadline support

Time-sensitive requests should include the publication date, interview window and exact materials required.

03 / Licensing

Music and audiovisual licensing

Licensing enquiries may include synchronisation, master use, broadcast use, trailers, advertising, branded content, film, television, games, digital media, live event playback and other professional audiovisual uses.

A request does not grant permission. A licence exists only after the relevant rights, approvals, scope, fee, territory, term, media and contractual conditions have been confirmed in writing.

04 / Rights

Rights and approvals

Master recording rights, composition rights, performer approvals, publisher approvals, artwork rights and third-party clearances may be controlled by different parties.

Aenea Records may coordinate an enquiry but cannot promise that every requested right is controlled by the label or available for the proposed use.

Do not publish, broadcast, distribute, synchronise or commercially use protected music, artwork, photography or video until all required permissions have been confirmed in writing.
05 / Request details

What to include in a licensing request

  • Track, recording, artist and version requested.
  • Production title and production company.
  • Detailed description of the scene, context or campaign.
  • Media, platforms and intended distribution.
  • Territory and requested licence term.
  • Exact duration and type of music use.
  • Exclusivity, edits, trailers or paid media requirements.
  • Budget, approval deadline and planned release date.
06 / Press assets

Use of approved press materials

Materials expressly supplied for press use may be used only for legitimate editorial coverage of the relevant artist, release or project and only within the scope communicated with the material.

Images must not be materially altered, used in misleading contexts, sold, sublicensed, used for merchandise or presented as an endorsement without written permission. Reasonable sizing and editorial cropping are permitted unless stated otherwise.

Photographer, artist, label and other supplied credits must be retained wherever technically and editorially practical.

07 / Artist project

Filip Newman

Current professional information for Filip Newman may be accessed through the dedicated professional hub. Availability of specific assets and opportunities remains subject to confirmation.

08 / Submissions

Unsolicited music and roster submissions

Aenea Records is not operating as an open, volume-based label submission platform. Unsolicited demos, catalogues and roster proposals may not be reviewed or acknowledged.

Sending material does not create confidentiality, representation, compensation, review or release obligations.

09 / Contact

Send a professional enquiry

Direct press, editorial, licensing and rights enquiries to [email protected].

Clear information creates faster decisions.

Include the requested asset or recording, exact intended use, deadline, territory, term and available budget in the first message wherever possible.